Wednesday, October 2, 2019
music censorship Essay examples -- essays research papers
MUSIC CENSORSHIP, 1950 till now 1952 The Weavers are blacklisted due to the leftist political beliefs and associations of several members. In 1953 six counties in South Carolina pass legislation outlawing jukebox operation anytime when within hearing distance of a church. During 1954 Stephen Foster songs are edited for radio to remove words such as "massa" and "darky." For radio airplay the perceived drug reference "I get no kick from cocaine," is changed to "I get perfume from Spain." in Cole Porter's classic "I Get a Kick out of you." In 1955 Former radio deejay Pat Boone begins a career by releasing "sanitized" versions of black R&B hits. Boone's versions of these songs often contain edited lyrics: such as substituting "drinkin' Coca Cola" for "drinkin' wine" in T-Bone Walker's "Stormy Monday" and "Pretty little Susie is the girl for me" instead of "Boys, don't you know what she do to me" in Little Richard's "Tutti Fruitti." During 1956 ABC Radio Network bans Billie Holiday's rendition of Cole Porter's "Love for Sale" from all of its stations because of its prostitution theme. Stations continue to play instrumental versions of the song. .... The Parks Department in San Antonio, Texas, removes all rock and roll records from jukeboxes located at city swimming pools, terming it "jumpy, hot stuff" that is unsuitable for teens. ... 1957 Producers of the Ed Sullivan Show instruct cameramen to show Elvis Presley only from the waist up on his third and final appearance on the program on January 7th. Fearing the effects of the "hedonistic, tribal rhythms" of rock and roll music, in March Chicago's Cardinal Stritch bans popular music from all Catholic-run schools. ... 1958 The Mutual Broadcasting System drops all rock and roll records from its network music programs, calling it "distorted, monotonous, noisy music." ... 1962 New York Bishop Burke forbids Catholic school students from dancing to "The Twist." Burke considers R&B music, and its associated dances, to be lewd and un-Christian. 1963 The FBI begins collecting data on folk singers Phil Ochs. Ochs is one of several popular musicians to be tracked by the FBI during their careers (Bob Dylan, Jim Morrison, Pete Seeger and Woody Guthrie... ...." ... The Roman Catholic Diocese of Providence forbids "Danny Boy" and other secular songs from being performed during funeral masses. ... Following the September 11th terrorist attacks, Clear Channel Communications, the largest owner of radio stations in the United States, releases a list of more than 150 "lyrically questionable"songs that stations may want to pull from their playlists. Few songs portray explicit violence, but most have metaphoric themes that ring a bit too close to the tragedies. The list, containing music from almost every genre in popular music, includes Sugar Ray's "Fly," "Jet Airliner" by Steve Miller, Nine Inch Nails'; "Head Like a Hole," AC/DC's "Shoot to Thrill" and "Highway to Hell," Pat Benatar's "Hit Me with Your Best Shot," "Dust in the Wind" by Kansas, Jerry Lee Lewis's "Great Balls of Fire," REM's "It's the End of the World as We Know It," "Only the Good Die Young" by Billy Joel, Dave Matthews Band's "Crash Into Me," "Nowhere to Run" by Martha & the Vandell as, and all songs by Rage Against The Machine.
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